Mado Jolain, a celebrated French ceramicist, has left an indelible mark on the world of ceramics with her unique approach to form and function. Her works, currently showcased in the exhibition “Mado Jolain (1921-2019)” at La Piscine in Roubaix, offer a glimpse into her artistic vision and craftsmanship.
A Harmonious Blend of Light and Shadow
Jolain’s ceramics are distinguished by their meticulous craftsmanship. Each piece is turned and then glazed in a manner that accentuates the interplay of light and shadow. This technique not only highlights the texture and form of the ceramics but also evokes a sense of depth and dimension. The resulting pieces are reminiscent of popular art, yet they also draw inspiration from the simple, functional volumes of renowned architects like Le Corbusier, Jean Prouvé, and Alvar Aalto.
Simplicity and Utility in Design
The hallmark of Jolain’s work lies in its simplicity and utility. Her pitchers, plates, and claustras are characterized by clean lines and practical forms, making them ideal for both homes and gardens of the 1950s. These pieces are not just decorative; they are designed to be used and appreciated in everyday life, embodying a perfect blend of beauty and functionality.
Influences and Inspirations
Mado Jolain’s work was influenced by several prominent figures in both the ceramics and architectural fields:
Le Corbusier: Known for his innovative architectural designs, Le Corbusier’s emphasis on functionalism and simplicity had a significant impact on Jolain’s approach to ceramics.
Jean Prouvé: Another influential architect and designer, Prouvé’s focus on industrial materials and modular construction techniques resonated with Jolain’s own design philosophy.
Alvar Aalto: Aalto’s organic forms and integration of natural materials into his designs inspired Jolain to explore similar themes in her ceramics.
Jacques Blin: As a fellow ceramist and president of the Chambre Syndicale, Blin’s work and leadership in the ceramics community influenced Jolain’s development and style.
Roger Capron: Capron’s decorative ceramics and his role in the post-war ceramics movement in France provided a contemporary context for Jolain’s work.
Norbert and Jeanne Pierlot: These ceramists, known for their functional and decorative pieces, were part of the same artistic circles as Jolain and contributed to the collaborative and innovative spirit of the time.
Standout Pieces in the Exhibition
Several pieces from the exhibition stand out for their unique design and craftsmanship:
Large Dishes with Pinched Necks: These pieces are notable for their distinctive shape and the way they play with light and shadow. The pinched necks add a sculptural element that enhances their visual appeal.
Pichet Vase with Handle: Recently donated by Jolain’s family to La Piscine, this vase exemplifies her focus on utility combined with aesthetic simplicity. The handle adds a functional yet elegant touch.
Garden Ceramics: Jolain’s work for gardens includes planters and flower pots coated in monochrome yellow or anise green enamel. These pieces are designed to interact with natural light, creating dynamic visual effects.
Claustra Wall for the Greenhouses of Auteuil: This monumental piece, commissioned by the city of Paris, showcases Jolain’s ability to create large-scale works that blend seamlessly with their environment.
Exhibition Details
For those interested in experiencing Jolain’s work firsthand, the exhibition “Mado Jolain (1921-2019)” is open until January 12, 2025, at La Piscine, located at 23 rue de l’Espérance, 59100 Roubaix. This exhibition offers a comprehensive look at Jolain’s contributions to the field of ceramics and celebrates her enduring legacy.
Mado Jolain’s ceramics continue to inspire and captivate, reflecting a timeless elegance that transcends trends and eras. Her ability to merge art with utility ensures that her work remains relevant and cherished by collectors and enthusiasts alike.